Neko Case, 4/6/06, Webster Hall


Even as I tool around with the new 5D, I'm still trolling through my negatives -- the recent ones -- and re-scanning them myself. As with anything worth doing right, it's best to do it yourself, and it's sort of astonishing just how lousy the lousy low-res lab scans are when compared to a high(er)-res scan done to your parameters. I'd written off these pictures from last April (April 6, 2006) as an example of poor lab-processing wisked together with my rustiness with film stocks, but further noodling shows them to be basically what I intended. Of course, I always say that it's no longer whether my pictures 'come out' or not, just whether they're 'any good' and as I struggle for constancy it's nice to find that I've kept true to that idea of goodness winning out over a base-level outcome.

I've linked to this post and this version of the picture off the Flickr site because my aversion to having larger images swiped or manipulated is suddenly less important than having the image seen at a viewable size. The idea of a proper viewing distance isn't new, and I'm discovering that dimensions 500px by "X"px at 150 dpi aren't going to get the job done, even at a viewing distance of 1'-2' on a computer monitor. Add 'Vanity' to the post labels.

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Happy Summertime
Jennifer

It's a time for rooftop parties and gaiety and etc. It's also really fucking hot.


The Spinning Wheel Spins
While trolling on Flickr for pictures of Mee Heng Low I happened across aroid's site and this image in particular. For those not assed to look at the link, I will post the caption here,

About this time--1960s--Dad tapped the phones in the house, so all calls were recorded. Everyone knew about it. The idea was to see what he said when people called him in the middle of the night, and he could not remember the next day.

Mom orders chicken almond from Mee Heng Low, a restaurant in San Luis Obispo that is still there on Palm Street, next to the Palm Theater.


Posted next is this audio clip of his mother ordering from Mee Heng Low... ...from my Uncle Johnny, shown here on the right next to my Grandpa Billy,

Billy and Johnny Gin (Screen Capture)

I like how connected it makes us all seem, and how young my uncle sounds in general -- his command of English was always better than my grandfathers for whatever reason, though they both now have the slurry drawl of advancing age.

Last Christmas I shot interviews with all the willing grandparents (my white-side grandfather declined for whatever reason). Afterwards, my cousin Nancy mentioned that she had tape-recorded interviews with her grandfather, my great-grandfather, and LOST THEM. When I first heard the clip above I was hoping it was him, but it made my day even though it isn't.


Thank You, Friend!
Boat Bar, 4/19/07
Boat Bar, 4/19/07

Some kind soul Googled the phrase "greatest photographer" and visited my site because I was a result! You are so kind! Please reveal yourself -- your TRUE identity!

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These Are Powers: Saving The Future Of Classic Rock
These Are Powers, 4/11/07 Cake Shop, NYC

I finally got decent results with remote flash placement in what will probably be my last concert shoot with the D70. Just in time, right? I broke one of my rules about light placement when I strung it up at the front of the stage from a projector handle rather than back-y or side-y, though I'm generally satisfied with the results (maybe I'll trot everything back out and do a two-point hard/soft setup next time. That's one of the nice things about smaller clubs, obviously).

Let the record show that I am still not smart enough to carry a maffer with me. Oh well. I had tried to put the unit on the drummer's monitor at a Knife Fight show only to have it fall off when they gots to rockin' too hard.


Lesser Koodoo and Mountain Nyala
Lesser Koodoo
Lesser Koodoo

Mountain Nyala


This is an experiment in webtraffic (made up of bad science). Thank you for visiting. The Nyala is hosted on the Daddy Site and the Koodoo is hosted on Flickr
.

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Barbarians At The Gate
Black Rhinoceros

Subtitled*:

My Day At The Auditor, Part I

Or

A Tale Of Tax Woe

I arrived at the IRS building a good 15 minutes before my 1 PM appointment time and was ushered, after stripping my way through security (and answering questions about what my light meter is, exactly, and what the thing on my keychain is, precicely), into a line of people running some 20-deep with every person having the same sad, annoyed look on their face. I wore a suit, and had dilligently prepared all known reciepts and had rehearsed honest, concise explanations for any questions regarding deductions that were only tenuously accounted for. I did not question my place in line. After all, I had answered the question correctly,

Me: Yes, I'm here to be audited.

Security Guard: IRS?

Me: Yes.

Security Guard (gesturing): That line there.

Twenty minutes go by and I stand in line, only slightly curious that it is not getting shorter, nor are the people in line looking to actually meet an auditor, or any other contact with a specific name. It, quite frankly, looks like the foodstamp line that wraps around the building on Thursdays. I step out of line to ask the security guard again,

Me: Yes, I may be in the wrong line, I...

Security Guard: ...IRS?

Me: ...I am here to be audited.

Security Guard: Oh.

He asks for my ID and who my contact is ("Mr. IRS," name changed to protect the innocent) and he says that Mr. IRS isn't answering and that I should go past the line of sad people into the holding pen, where the other sad people are waiting and he will come find me.

Splendid.

I go and sit and wait and it is now 10 minutes past 1 PM and I am officially late to my Very Important Meeting which means the IRS can effectively call a forefit should they so desire and take all my monies that they are auditing, regardless of whether or not they are actually entitled to them. And then, as anxiety grows to a fevered pitch, the Security Guard fetches me from the sad little room and goves me a sticker-tag with a series of numbers on it (not my name, mind, a series of numbers) and sends me upstairs to another holding pen -- this one has an American Flag in the corner and the seal of the IRS hanging on the wall and two doors: one leads to the exit, the other to the IRS chamber. There are rows of chairs and I am the only one there. Mr. IRS appears from behind the chamber door and greets me. He is polite and a little short and young-ish. He ushers me in and leads me though rows of beige cubicles that are as high as mid-chest and unadorned except for a name tag denoting the name of the stalls' occupant.

We sit and begin with a questionairre asking several questions including who I am (?), pertinent details regarding who I am, and specifics regarding income and whether I recieved any gifts or etc., during the course of the year. I answer truthfully 'No' where appropriate and have a long discussion of what the difference between my W-2 income and my 1099 income and how even though the W-2 income means that according to the U.S. Government (legally binding) I am working for a company I am still working for myself according to T.V. Hiring Practices (not legally binding) and am not considered a day-to-day employee. We come to an understanding of how it is I am hired ("Someone calls me. They ask me if I can work on Tuesday. I say 'yes' or 'no', depending on whether I can or not. Then I go in to work. I don't pee in a cup and they usually pay in 2-4 weeks.").

With context out of the way, we get in to the nitty-gritty and begin with the two things that will cause me the most trouble: The Eclair NPR and the tripod, whose purchase comes to $7000.00 USD. I explain how they were purchased,

Me: I trolled E-Bay until I found something that wasn't selling, and when it didn't sell, I contacted the seller and said, 'let's make a deal.'

Mr. IRS says he understands and asks to see documentation. I have documentation of the tripod in the form of a name, evidence of a wire transfer from bank-to-bank in the form of a statement and a printed reciept for the transfer. According to the IRS, this is not documentation.

He asks if I have a reciept or anything similar and I said 'no, is a reciept from the bank not a reciept' and he said 'no' and I am suddenly staring at $7000.00 USD of unproven expenses.

Bummer.

We then march down the list of things they are questioning including internets and cable and equipment rentals and phone bills and ticky-tack media purchases that are all documented and accounted for in my Big Blue Binder. He asks me questions about their usage and I give him proper, honest answers and throws me no curveballs which I thank him for because we are, after all, talking about shit I bought or paid for TWO YEARS AGO.

In all, the amounts check out and the explainations are legit and the only hanging chad is the matter of the $7000.00 USD spent on camera gear that is (apparently) not documented AT ALL. So with what appears to be a colorless version of Quicken(TM), Mr. IRS punches in numbers and arrives at a grand total of taxes owed to the United States Government:

$2,000.00 USD

Coming soon: Part II

* As per a recent discussion with D., the subtitle is often the most visible barometer of the quality of a documentary or fiction film. cf. "American Cannibal: The Road to Reality" or "Behind the Mask: The Rise of Leslie Vernon," to note two current movies running in New York. This is something that the legendary staff of MST3K knew all too well. To this end, I am sorry I didn't have a better subtitle for you.


R.I.P Tonic?
It seems that Tonic is closing and because I'm feeling tired and belligerent I'll write this as an epitaph:

The first time I went to Tonic, I shot some dudes' klezmer band.

A few years later I shot These Are Powers:

These Are Powers

Somewhere in between I forgot where Tonic was.

The dudes' whose klezmer band I shot still owe me money.

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Zzzzzzzz...
Film Forum, 3/19/07

I'm dozing and clock-watching as I hold fast to my promise of only adding another polaroid after the previous polaroid posting reaches 50 views (the sad bird is currently at 40 [as of 4/3/07]). I have one all lined up that will hopefully be a handy illustration of My Day With The IRS (working title), which might not have been as bad as I had forseen (knock wood).

That's a lot of parentheticals.

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