Stage Diving 101
Stage Diving Etiquette 101
Intro:
So you've decided to join our feathered friends (and bats and squirrels) in the sky through the act of flight! Congratulations! The choice to sacrifice your body and equipment through the impulsive and destructive act of stage diving can be a rewarding and entertaining experience. I've cobbled together this primer to help you through the process. Band-mates should have no fear! I've taken the time to include portions and positioning for them as well. Please note the handy guide numbers in the upper left corner of the images.

1) Ascend.
While common stage dives (off a stage or the more simple "crowd surf") can be enjoyable, a true epic stage dive should be executed from the highest point available. In this instance, our hero has chosen a conspicuously well-placed rolling staircase to the left of the stage. Ascend as high as comfortable, but note that the higher the platform, the more awesome you will appear. Bonus points for continuing to play while preparing to plummet.
2) Pose.
Make sure the crowd sees you! We all know the rhetorical question regarding the tree in the woods. Here, the bassist has taken the "notes become bullets" a.k.a. the "...because of the wang" pose. Several paying customers are already laughing with joy as he readies his body for immortality. Band Note: At this point, you should still be playing at top gear, oblivious as to the throngs of women and young girls no longer eye-fucking you.
3) "The Four Winds."
With mind cleared from distraction and body poised for certain doom, one must cast one's mortal being into the abyss with righteous fervor and a complete disregard for the young girls in the front row. What's more, your band friends have noticed you for the first time in months! The drummer expresses joy and jealousy as he is locked behind his cruel metal cage. A proper guitarist will show no interest in the goings on around him or her, but will instead seethe inwardly as the ill trim in the front row has suddenly developed a taste for "bottom end," if you know what I mean.
4) Landing.
Never assume that someone will catch you. Extending your arm to brake your fall will usually lead to a broken wrist and will lead to an end to excellence, so be prepared to tuck and roll. Use the crowd to increase your coefficient of friction and slow your now-bruised body -- like a bowling ball into hapless pins. It is at this point that the drummer has cocked his arm in an "Atlanta Tomahawk" position to deliver a frustrated drumstick to the head of the bassist. This is custom and one should always be prepared to deflect a stick headed for an eye or an orifice.
5) Momentum and the "Last Resort."
If you are out of audience members to collapse into, the guitarist or lead singer is usually the last safety and one should use any and all gymnastic means to use him or her as a brake. Our bassist has cleverly used the neck of his instrument to hook into the kneecaps of the guitarist as a Navy jet hooks into the cable on the deck of an aircraft carrier. Note that he has tucked his chin down to shield his eyes from the drumstick, which has found its target -- a bruised forehead is better than a bleeding eye.
6) Injury, Recovery and Hospice.
Pain! Pain is fleeting, and death is for the weak. You are alive and you will recover thanks to modern 21st Century medicine and the finest health care system that your parents can provide! Take a breath to fill your lungs with life-affirming oxygen and to clear your mind of suffering -- those are not twins you are seeing, mouthing incomprehensible words as you lie prone on your bruised coccyx, but rather the pretty freegan from two towns over who has a 40 year old canadian boyfriend. You're seeing double, friend! Band mates: Now is the time to elevate your concern.
7) "The Checkdown."
Like a boxer that has just been knocked down, it is best to walk through a checklist in your head while on the ground -- if you're on the floor, there's nowhere lower to go, so you avoid further injury due to collapse. It is recommended to take stock of one's limbs from the bottom up: feet, legs, hips, chest and head. It is now appropriate for other band members to abandon their positions and rush to your aide. At this point, the show is effectively over and no more music will be played. All that is left is for the stage diver to milk his feat for all it's worth.
8) Results.
The last step involves regailing the hero for his feat of daring. Audience members should applaud and those of the opposite gender should become sexually aroused. Band mates should stand about and deliver the line, "are you ok?" in as dispassionate a manner a possible. A traditional response should be something along the lines of, "I need a [drink/drug/whore]," but feel free to improvise! After all, YOU sacrificed your body like a virgin to Pelé, YOU have the right to demand offerings of your choice.
(Stupid Party at Java Studios, 2/22/08)
Intro:
So you've decided to join our feathered friends (and bats and squirrels) in the sky through the act of flight! Congratulations! The choice to sacrifice your body and equipment through the impulsive and destructive act of stage diving can be a rewarding and entertaining experience. I've cobbled together this primer to help you through the process. Band-mates should have no fear! I've taken the time to include portions and positioning for them as well. Please note the handy guide numbers in the upper left corner of the images.

1) Ascend.
While common stage dives (off a stage or the more simple "crowd surf") can be enjoyable, a true epic stage dive should be executed from the highest point available. In this instance, our hero has chosen a conspicuously well-placed rolling staircase to the left of the stage. Ascend as high as comfortable, but note that the higher the platform, the more awesome you will appear. Bonus points for continuing to play while preparing to plummet.
2) Pose.
Make sure the crowd sees you! We all know the rhetorical question regarding the tree in the woods. Here, the bassist has taken the "notes become bullets" a.k.a. the "...because of the wang" pose. Several paying customers are already laughing with joy as he readies his body for immortality. Band Note: At this point, you should still be playing at top gear, oblivious as to the throngs of women and young girls no longer eye-fucking you.
3) "The Four Winds."
With mind cleared from distraction and body poised for certain doom, one must cast one's mortal being into the abyss with righteous fervor and a complete disregard for the young girls in the front row. What's more, your band friends have noticed you for the first time in months! The drummer expresses joy and jealousy as he is locked behind his cruel metal cage. A proper guitarist will show no interest in the goings on around him or her, but will instead seethe inwardly as the ill trim in the front row has suddenly developed a taste for "bottom end," if you know what I mean.
4) Landing.
Never assume that someone will catch you. Extending your arm to brake your fall will usually lead to a broken wrist and will lead to an end to excellence, so be prepared to tuck and roll. Use the crowd to increase your coefficient of friction and slow your now-bruised body -- like a bowling ball into hapless pins. It is at this point that the drummer has cocked his arm in an "Atlanta Tomahawk" position to deliver a frustrated drumstick to the head of the bassist. This is custom and one should always be prepared to deflect a stick headed for an eye or an orifice.
5) Momentum and the "Last Resort."
If you are out of audience members to collapse into, the guitarist or lead singer is usually the last safety and one should use any and all gymnastic means to use him or her as a brake. Our bassist has cleverly used the neck of his instrument to hook into the kneecaps of the guitarist as a Navy jet hooks into the cable on the deck of an aircraft carrier. Note that he has tucked his chin down to shield his eyes from the drumstick, which has found its target -- a bruised forehead is better than a bleeding eye.
6) Injury, Recovery and Hospice.
Pain! Pain is fleeting, and death is for the weak. You are alive and you will recover thanks to modern 21st Century medicine and the finest health care system that your parents can provide! Take a breath to fill your lungs with life-affirming oxygen and to clear your mind of suffering -- those are not twins you are seeing, mouthing incomprehensible words as you lie prone on your bruised coccyx, but rather the pretty freegan from two towns over who has a 40 year old canadian boyfriend. You're seeing double, friend! Band mates: Now is the time to elevate your concern.
7) "The Checkdown."
Like a boxer that has just been knocked down, it is best to walk through a checklist in your head while on the ground -- if you're on the floor, there's nowhere lower to go, so you avoid further injury due to collapse. It is recommended to take stock of one's limbs from the bottom up: feet, legs, hips, chest and head. It is now appropriate for other band members to abandon their positions and rush to your aide. At this point, the show is effectively over and no more music will be played. All that is left is for the stage diver to milk his feat for all it's worth.
8) Results.
The last step involves regailing the hero for his feat of daring. Audience members should applaud and those of the opposite gender should become sexually aroused. Band mates should stand about and deliver the line, "are you ok?" in as dispassionate a manner a possible. A traditional response should be something along the lines of, "I need a [drink/drug/whore]," but feel free to improvise! After all, YOU sacrificed your body like a virgin to Pelé, YOU have the right to demand offerings of your choice.
(Stupid Party at Java Studios, 2/22/08)
Labels: bands, brooklyn, fun, java studios, music, rock and roll, stage diving, stupid party















